Thursday, July 31, 2008

Too Much Too Young Too Fast

Talking to Vivswindy about music and film, as we inevitably do, got me thinking that it's been a while since I put a compilation tape (playlist really) together. This will be winging its way to Vivswindy soon:

  1. Aces High : Iron Maiden
  2. Sister Rosetta (Capture the Spirit) : The Noisettes
  3. I Am You : Nightmares On Wax
  4. Too Much, Too Young, Too Fast : Airbourne
  5. Don't Know What to Do With You : The Mentalists
  6. How Heavy This Axe : The Sword
  7. Bultca Saturno : Paul Gilbert
  8. Bendix 2: The Tomorrow People : Raymond Scott
  9. Stick Pit : Buckethead
  10. Flashlight Fight (feat. Chuck D) : The Go! Team
  11. Be Easy : Sharon Jones & The Dap-Kings
  12. Exercise 7 : Bent
  13. Cradle Me : Tina Grace
  14. The Wizard : Bat For Lashes
  15. When the Levee Breaks : Yat Kha
  16. Dark As A Dungeon : Ramblin' Jack Elliott
  17. Day Of The Eagle : Robin Trower

And this is what I shall be listening to for the next few days

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Tuesday, July 29, 2008

The Worst Pies in London

Over the last three months or so, T and I have been putting together costumes for my pal Vivswindy's annual fancy dress party. Long-time readers may remember that two years ago I went as R J MacReady from The Thing and T went as the dead Laura Palmer from Twin Peaks. Last year's barbecue was cancelled so that the host could marry his beloved, though he did arrive at the wedding in a Back to the Future equipped Delorean so all was not lost.

This year T and I decided to couple up on the costumes and it was decided that Sweeney Todd and Mrs Lovett would offer us an opportunity to get creative. I bought a vintage style shirt as this was beyond our tailoring skills but we made my waistcoat, razor, razor holster, wig and gloves from scratch. T went to Camden's finest goth emporia for items for her outfit but made the top herself and we made the pie from scratch too. Those fingers we made a while back? Those were for the pie. Here I am, blind as a bat as I decided to go without glasses for as long as possible to improve the look of the costume. T also made me up to look suitably ghoulish:

Ed Fancy Dress Barbecue 2008

Here's the two of us hamming it up for the camera

Ed Fancy Dress Barbecue 2008

And this is the inevitable "someone pretends to eat the papier mâché pie" picture:

Ed Fancy Dress Barbecue 2008

Vivswindy, the host, always has a meticulously researched and sourced costume, this year The Rocketeer from Joe Johnston's film of the same name. Here he is talking to the Scarecrow from The Wizard of Oz. Where could his comrades be?

Ed Fancy Dress Barbecue 2008

Oh here they are. Dorothy, The Cowardly Lion, The Scarecrow and The Tin Man are clearly being shown something extremely filthy on that digital camera by the nun. For shame.

Ed Fancy Dress Barbecue 2008

There were a great many supervillains present also. Here Two Face poses with his fiancee Poison Ivy. I do like Ivy's wellington boots.

Ed Fancy Dress Barbecue 2008

Vivswindy's brother did a marvelous turn as Jareth from Labyrinth complete with a pair of Darth Maul socks stuffed down his tights for extra, err, presence. Here he is dancing with HW who came as Sarah, also from Labyrinth. She is trying not to stare down.

Ed Fancy Dress Barbecue 2008

At some point in the following morning, I wasn't wearing a watch for authenticity reasons, we all crawled off to bed. I took this snap of Tinseltroos to show off her magnificent back-combed hair. She normally has very straight hair and this is the most volume I've ever seen:

Ed Fancy Dress Barbecue 2008

I simply gave my hair to Keanu for safe keeping.

Ed Fancy Dress Barbecue 2008

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Wednesday, July 23, 2008

Summer Pasta


Here's a quick, quite hearty but fresh and summery pasta recipe I concocted last week. My work chum CT has a garden in which she and her beloved grow courgettes amongst other things. They have a surfeit of them at the moment so in a fit of aggressive hospitality I suddenly found I had three courgettes all of a sudden. This is what I did:

  1. Slice the courgettes into disks and fry them in olive oil and a little butter.
  2. Cook the pasta.
  3. Whilst the two main ingredients are cooking, chop some mint and grate some parmesan.
  4. Squeeze the juice of half a lemon over the courgettes and chuck in a fistful of mint.
  5. When the pasta's done, drain it, return it to the pan off the heat and stir in some crême fraiche and half the parmesan.
  6. Dish out this mixture into pasta bowls and pour the cougettes on top.
  7. Sprinkle mint and the rest of the parmesan over the courgettes. Season to taste.
  8. Eat.
This one took very little time and was mighty tasty. All the better for home grown courgettes of course.

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Sunday, July 20, 2008

Hellboy 2 Cast and Crew


I was up bright and early today for the cast and crew screening of Hellboy 2. I know it's been out for over a week in The States but it doesn't open for a month here so it was still a sneak peak by UK standards.

It's always a mixed bag of emotions seeing a film you've devoted so much time and energy to for the first time. One part is relief that the film definitely must, finally, be done since you are attending a screening of it and the other is wondering whether all the hard work was worth it. I have only really loved one film that I've done, that being Charlie and the Chocolate Factory. I've liked others and most have been ho-hum, but that's pretty much how any statistical breakdown of film quality would pan out; you're only going to get the odd gem. Hellboy 2 certainly isn't the worst film I've worked on but it definitely ends up in the ho-hum category for me. My personal moment of happiness was that during the scene I did, Danny Elfman saw fit to put some walloping good music over the top which helped immensely. I've done quite badly with the scoring over the sequences I've worked on in the past. The big fleet reveal shot in Troy always makes me wince because it had such sweeping epic music in the trailers and then nothing so robust in the film itself resulting, I felt, in a rather lacklustre experience. Today though, Danny Elfman did us proud and though he has no clue who we are we thank him anyway.

Hellboy 2 also felt a little odd compared to other shows I've done because of the sheer amount of it I'd seen before the screening. Usually a studio will award chunks of work to several VFX houses so if you work in one of those houses you'll only see the bits that you're working on and the rest of the film will be a mystery. The company I work for did pretty much all of the VFX work for Hellboy 2 and so there was very little of it that was unfamiliar. I don't think that helped my appreciation of the finished film much. A film that's about magical spectacle is hindered if you've seen all the magical spectacle a hundred times before. On the other hand it was nice to se it with the soundtrack - we tend to work just to picture so we may not hear the sound at all unless you're animating a character. I know people who worked for months on Sweeney Todd who were very surprised to find out that it was a musical, though they did admit that "Johnny Depp had looked like he was talking a bit funny".

It's now a couple of hours after the screening and I'm glad I saw the film with the people I worked with. The film may not have been great but the people who worked on it are and I think it's them and the actual craft of making this stuff that floats my boat rather than simply how good or well-received the end product is. That said I do hope that one day I'm lucky enough to work on a truly great film.

My quick, capsule review of Hellboy 2 for anyone who hasn't already been would be that if you liked the first one, you might like this, it's OK for a B picture but don't go in expecting greatness. 5/10

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Thursday, July 17, 2008

500th Post

For my 500th post, here's a few photos of the social odds and sods I have been engaged in over the last week, it's not all that exciting but it's all I got:

Chapman's 30th Birthday

Saturday was a 30th birthday party full of chums and sunshine.

Chapman's 30th Birthday


Chapman's 30th Birthday

Some of the guests expressed their true feelings for me.

Chapman's 30th Birthday

Formation dancing occurred.

Chapman's 30th Birthday

People thought deeply about the issues of the day.

Chapman's 30th Birthday

And, inevitably, everybody had a go at wearing my glasses.

England vs South Africa at Lord's

On Sunday at Lord's for the test match.

England vs South Africa at Lord's

This was neither my first, nor last beer.

England vs South Africa at Lord's

The crowd celebrates the sole wicket to fall in the day.

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Wednesday, July 16, 2008

The Gaucho Grill or An Object Lesson in How Not to Do It

Last night, as part of the ongoing "T-fest", a series of drinks and dinners my chum T is having to commemorate her imminent departure from this Sceptred Isle back across the Atlantic to the Land of the Brave, a group of us went to The Gaucho Grill, an upmarket Argentinian steak house in Piccadilly. I had been twice before, both at lunchtimes with a buddy, and both times I had eaten in the bar on the ground floor which still has pretensions to grandeur. The walls are covered in large gilt framed cow hides, the wall paper is very dark as are the floors, furnishings and tables. I think the desired effect is to make city banking types feel like they're somewhere special and perhaps a little naughty.

Last night we had a table in the main restaurant which makes the bar look tawdry. In addition to all the paraphernalia mentioned above there were large glass chandeliers and brass candle holders rounding out the overall effect of the apartment of a 1980s stockbroker who made his money trading in cattle and wished to celebrate this fact wherever possible. We were escorted to our table in a polite if not very friendly manner by one of a number of identikit generically pretty waitresses who seemed to hover in profusion without actually doing anything. They, however, would have been vastly preferable, due their bland inoffensiveness, to our actual waiter who I shall call Simon.

Simon would be difficult to age as he has spent so much time on the sunbeds that his skin has the quality of parched vellum. I will guess late 20s and leave it at that. Simon is possibly Spanish, possibly Argentinian and clearly thought, ten years ago, that he was going to make it big as a model when he came to London. He has that toned body that serves no practical use and is merely designed to serve as a fleshy coat hanger when prancing down a cat-walk. Unfortunately for Simon there are many, many much prettier, and these days far younger boys around who also want to make it big as a model, so Simon was not prancing down a runway, he was serving us dinner, in as rude and condescending a manner as he could muster. The permanently fixed rictus smile was ghastly enough but behind the eyes burned a cold loathing of everyone else that was frankly a little disturbing to behold. Had he been good at his job none of this would have mattered. Good service is an art-form. I have the utmost respect for waiting staff who are good at their job as it's bloody hard work and there is real skill to it. Sadly, whatever the knack, Simon doesn't have it.

He began by showing us the cuts of steak and telling us how we may have them cooked. This kind of thing annoys me. It is wonderful when waiters are knowledgeable and helpful if asked but I know what fillet, sirloin and rib-eye steaks look like thank you and I don't need some preening twit talking down to me as if I were five. In fairness to Simon all the staff do this, I assume it is company policy which perhaps begins to give you some idea of what kind of place The Gaucho Grill is. After this Simon really began to irritate. Firstly he insulted my friend AJ who had been chosen to pick the wine. Simon felt that the wine she had chosen wasn't of a "good enough quality" to go with the steak. Two things: one, if the wine is not good enough to go with steak, what is it doing on the wine list of a steak restaurant? Second, let's not kid ourselves, what he was actually saying was "I would like you to choose a more expensive wine so I make more money out of the compulsory service charge". This angered me immensely as it is rude, shows ignorance and tells you yet more about The Gaucho Grill's modus operandi. He followed up this exercise in charm and manners by asking at what temperature I would like my steak. I arched an eyebrow in confusion. Temperature? Well I'd like it cooked over a very high temperature and then have it served at a warm temperature. He clearly thought that you cook a blue steak by cooking it for the same amount of time as a well done steak but at a much lower temperature. Jesus H Christ. This really made me roll my eyes. Thankfully, aside from Simon's inability to get our order right, which we discovered when the side dishes arrived, that was his final contribution to spoiling my evening.

Onto the food. The food is expensive; a piece of steak is twenty quid. That's just for the meat; side dishes are extra, quite a lot extra in fact. I ordered grilled vegetables as my side order, priced at seven pounds and fifty pence. For nearly a tenner you get one slice of anonymous tasting aubergine, two slices of courgette, one piece of pepper and two fingers of out of season tasteless asparagus. These vegetables, I assume in order to save time in cooking, had clearly been boiled first and then just given thirty seconds on the grill at the end before being dumped on a plate. They were all bland and lacked flavour or texture. The steak itself was served medium rare. I opted for sirloin because it should be more flavoursome but was told I couldn't have it rare because the fat down the sides needed to be cooked to medium rare at minimum to be properly done. I could have pointed out that in places where they care about such things you cook the steak by holding it in a pair of tongs sideways so just the fat is touching the pan for a minute to cook it, then you can do the meat itself to whatever degree you like. But that takes effort and The Gaucho Grill doesn't do effort, it does lazy and rude indifference. My steak would have been fine had I bought it from a super market and it had cost about six quid. For more than three times the price I expected a lot better. My colleague who had fillet steak, of which I had a little taste, fared much better than I, for his steak was pretty good. However in a steak house, and especially one that takes itself as seriously as The Gaucho Grill clearly does I expect very good steak every time. Oh, and The Gaucho Grill doesn't even give you a steak knife to eat with. You have to hack your way through your disappointing meal with a regular dining knife.

Puddings were uninspired. Amongst the nonsense you could choose was a "carpaccio of fruit", I kid you not. All this was of course were a few thinly sliced pieces of raw fruit. Here, actually, is the dish which best sums up the restaurant and its attitude toward, and expectations of, its customers. "Carpaccio of fruit": let's take this apart. First can you have a carpaccio of fruit? No. Carpaccio is thinly sliced raw beef or tuna and it got its name from the Italian painter, Vittore Carpaccio, who was noted for his use of bloody red pigments in his paintings. The very etymology of the name itself implies rawness and blood, most emphatically not a couple of slices of apple. So it's an oxymoron and an oxymoron from an establishment whose sole aim, one would think, would be to understand at the deepest level the blood and the rawness: the very essence of the steak experience. Roland Barthes' essay, "Steak and Chips" in his book Mythologies takes pages to dismantle and analyse the deep relationship between us and steak, how we claim the strength of the bull from eating it, the ceremony of its acquisition, its preparation and its ingestion. Steak is a profoundly symbolic food with a massive history and mythology that gets right to the core of the human hunter gatherer turned sophisticated farmer turned connoisseur experience...

"Carpaccio of fruit".

That's what this place thinks of its customers. It sounds posh and fancy but it's a nonsense, a plain, poorly executed dish that has ideas and pretensions far beyond what it can deliver.

My pudding was an ordinary chocolate mousse cake served on a base of something that had the consistency of shoe insole and tasted little better. I paid forty five pounds for all this, including a compulsory service charge for some of the rudest and most ignorant service I have ever received. I haven't been so angry at a restaurant since this experience nearly three years back.

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Monday, July 14, 2008

Fame and Glory (kinda)

There's an article up on one of the Visual Effects sites about how we did the work on Hellboy 2. I even get quoted. Crikey.

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Friday, July 11, 2008

Guitar Design

Apropos of nothing I was talking with a couple of guitar minded chums about the state of guitar design. We had come to this topic because one of our number was looking for something "a bit different", which is shorthand for "not a strat, tele or Les Paul". This led me to thinking about those guitars and why they dominate as they do.

Of the three I think the strat is the greatest, it has the most, for its time, revolutionary design, it's functional, never out of fashion and eminently practical as a workhorse instrument. In fact it's basically perfect. It's a situation very much like when John Kemp Starley designed the Safety Bicycle in 1885 and with it invented the bicycle as we know it today (diamond frame, chain driven rear wheel, etc.). He basically got it right in one go, an amazing achievement of bold design and engineering, especially considering that the Penny Farthing was the state of the art in bicycle design at the time. Just as Starley hit the nail firmly on the head in 1885 so did George Fullerton, Leo Fender and Freddie Tavares in 1954. The bolt on neck, the solid contoured body, the exciting bright paint finishes, the whammy bar on and on. It's just perfect. I look at Tinseltroos' Strat and it still amazes me 54 years after its invention.

But does that mean that guitar design is done? Is it not worth trying anything else? Sure, there are guitars like the Parker Fly that tried to reinvent the instrument with limited success. For me, the Strat cannot be bettered in its practicality, non-fussiness of its engineering and the manner of its construction. I like basic electric guitars with all the bits bolted together; it's unfussy and if anything breaks it's quite straight-forward to get a replacement part. The only thing that might be worth playing with is body and headstock design because this is a question of taste and style rather than pure engineering common sense. Even so, there are many limitations when designing a guitar body: the neck and bridge have to fit in a certain configuration for intonation to work properly, you need to be able to rout out the right areas to install the electrics, you need to consider having enough mass for the guitar to resonate but not too much so it becomes unwieldy, although that never stopped Rick Nielsen. Finally you have to think about how it would feel like to have the guitar on: could you play it sitting down? A Flying V, for example, is a strictly standing up only instrument and that bothers some people.

The more I thought about it, the trickier the problem became but it intrigued me all the more too. So I decided to have a go. I love the proportions of my Charvel Strat, and I knew what bridge and pickups I'd want if it were my guitar so I laid out those components from scanned photos in Photoshop and started sketching body shapes around them. It took ages to come up with something that I liked aesthetically that would also work as a guitar. I finally appreciated why designing something new is so hard. Not only do you have to compete with something that is basically perfect already, but there are so many constraints that trying anything else is very difficult. In the end, this is what I came up with:

Guitar Design

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Monday, July 07, 2008

Run to the Hills, Run For Your Life

In stark contrast to the subtle and cultured exigencies of Sibelius last week, Saturday night saw Tinseltroos, Sisoftroos, AJS, JJG and myself on a train to Twickenham, the home of English Rugby Union. We weren't there for sport though, we were there to rock. Iron Maiden were playing their first show on UK soil in 2 years and we had to be there.

Iron Maiden at Twickenham

Iron Maiden became a fixture in our Rock Friday playlists that those of us working on the stone giant for Hellboy 2 put together to keep us going during the project and when we found out about the tour we booked tickets there and then. This was in November last year and the anticipation has been building ever since.


Iron Maiden at Twickenham

We arrived toward the end of the main support act. The only downside of the gig was that none of the support bands really appealed to any of us but that was a minor gripe.

Iron Maiden at Twickenham

Having queued for what seemed like 150 hours I finally got a T-shirt, a nice Eddie Cyborg one. Very, very 1980s 2000AD style artwork, just how I like them.

Iron Maiden at Twickenham

Iron Maiden at Twickenham


As we took our seats the stage was shrouded in black drapes to keep a sense of mystery. This was finally pulled down just as the show was about to begin revealing an ancient Egyptian themed Powerslave stage design complete with enormous painted back drop.

Iron Maiden at Twickenham

Iron Maiden at Twickenham


And then Maiden began. They began with Aces High and continued with a string of classics that kept the forty odd thousand people there very happy indeed. My highlight was probably Run to the Hills, but that's always been my favourite tune of theirs. The pyrotechnics and stage props became more theatrical and extreme as the show progressed ending up with a fifteen foot tall cyborg Eddie marching around the stage as an even larger mummified Eddie reared and writhed in the background. Top stuff.

Iron Maiden at Twickenham

The show finished after two hours of top-notch entertainment and the five of us, with broad grins, joined the throng to wait for trains to take us back to London.

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Sunday, July 06, 2008

Crazyish Weather

Whilst we don't get the serious extremes of weather here in the UK that other parts of the world experience I couldn't help but notice the frequent changes from bright sunshine to rain clouds today in London. Here are a couple of timelapse movies I shot out of the window at Schossadlerflug with my wee digicam.






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Thursday, July 03, 2008

Sibelius Times Three

I went my usual classical music going chums to the Barbican last night to see three pieces by Sibelius played by the London Symphony Orchestra under Sir Colin Davis. The only piece on the bill with which I was in any way familiar was the 4th Symphony, which I adore for its almost unrelenting moodiness. Even Shostakovitch generally ended on a high note.

The concert opened up with The Oceanides which was apparently composed on an Atlantic sea crossing; at least in part. It was superb with the orchestra flowing and moving as a unit, unlike many of the recent concerts I've attended where I got the distinct impression that the musicians scarcely knew the score. Sir Colin, who's getting on a bit these days, was pretty sprightly once he got into the swing of things though with his woofy hair and small physique he rather reminded me of Widow Twanky as he tottered to and from the conductor's rostrum.

The second piece was Sibelius' Violin Concerto featuring Nikolaj Znaider as the soloist. As well as being worth a great many points in Scrabble, Znaider was an astonishing musician. The wonderful acoustics of the hall helped but he made every note count and played with passion and total commitment throughout. A really special performance all in all.

The 4th Symphony came after the interval and once again the orchestra really delivered. Whilst the performance wasn't up to the Simon Bolivar Orchestra at last year's Proms (I doubt I'll ever see as electric a concert as that again though) it was right up there with the best of the rest. I came out of the auditorium at about 9.30 really feeling like I'd witnessed something good for the spirit and with that I sauntered through Clerkenwell, back to Holborn and home.

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Wednesday, July 02, 2008

Not Sure What This Means


The Renaissance Monkey at Blogged


I receieved an e-mail today from a representative of www.blogged.com informing me that the Renaissance Monkey has been rated 8.4 on their scale of whatever-they-measure-things-by-ness. I don't really know if this is good or bad but it must mean that someone there read it I guess. Apparently I was graded on "Frequency of Updates, Relevance of Content, Site Design, and Writing Style", so if you 're looking for semi-regular, inane whitterings on matters of little import over the top of a little faintly Victorian styled wallpaper you've found your blog. Thanks for stopping by, Blogged folk.

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Tuesday, July 01, 2008

Sun Burn

I spent all yesterday at Pinewood Studios for a miniature shoot for the film I'm currently working on. It was an 8 a.m. call meaning that I was in a car at about 7 a.m. heading up there. As usual the day went very slowly and we were out on the back lot for most of it. You learn pretty fast that hearing "going on set" should trigger the thought "take some sun-block". I did remember this and covered my lily-coloured geek-pasty skin with factor 50 for the whole day. I felt a bit slimy but only the tops of my ears got a little toasty. The one highlight of the day was the inevitable fried breakfast in the Pinewood canteen. It's a very long way from sophisticated dining, quite like school dinners, but we must take our crumbs of comfort where we may. I did see one, rather large, fellow with a plate stacked with a baked potato and chips. Very fond of potato obviously.

On the journey back the car that came to collect us was a Toyota Prius, the hybrid car. I have seen plenty about but never had a ride in one. I was rather impressed. It was quiet, comfortable and brisk. With me (a little over six foot) and my colleague of similar height behind me we both had enough legroom to be comfortable and in a car of that size you can't often say that. The driver was saying that the saving in fuel from the hybrid car over the Mercedes he used to drive was over £200 a week. Now obviously this guy does serious mileages but to be able to save £10 000 a year in fuel is crazy. If were thinking of buying a car, which I'm not, I'd definitely put the Prius on the list.

In Hellboy 2 promo news there's a new trailer out which has excerpts from three of the shots I did. There's a whole lot of stone giant in this one at about 1:10 in:


OK, self-promotion over. Time for bed.

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